philosophy
Seyyed Ashkan Khatibi; Mohammad Taghi Tabatabaei
Abstract
Bergson's philosophy has sometimes been regarded as dualistic and sometimes as monotheistic. The price of being partial to each has been to destroy some of Bergson's concepts and specifications in favor of others. In the meantime, some have tried to read Bergson's philosophy as dualistic and monistic ...
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Bergson's philosophy has sometimes been regarded as dualistic and sometimes as monotheistic. The price of being partial to each has been to destroy some of Bergson's concepts and specifications in favor of others. In the meantime, some have tried to read Bergson's philosophy as dualistic and monistic at the same time, but the efforts have not only been unsatisfactory, but have also added to the previous difficulties; Because sometimes he has changed Bergson's philosophy to a philosophy of existential unity, sometimes he has made it based on a dialectical foundation, and sometimes he has turned it into a kind of conventional dualism. Gilles Deleuze, by proposing the doctrine of "difference", has given a reading of Bergson's philosophy, based on which Bergson's philosophy has different moments of dualism and monotheism, in each of which Diernard accepts a different "expression": From absolute dualism to hidden monogamy and then to recovered dualism. The purpose of this article is to highlight the fundamental difference between Deleuze's reading and other readings of existential unity or dualistic or dialectical of Bergson's philosophy, and to show that the explanation of these moments and especially the explanation of the logic of the last transition to recovered dualism requires recalling a doctrine that although Deleuze himself He cultivated it, he did not emphasize it much in his reading of Bergson. In this way, the claim is that explaining the logic of separating the moments of Bergson's philosophy in Deleuze's reading, as well as the logic of the transition from one to the other, instead of considering the two statements of Dirndt, it is necessary to consider the third statement of Dirndt as a difference in itself. This is the way that the expression of each aspect of Dirand is possible in three types of difference: Dirand as a pure thing in the essential difference, Dirand as a comprehensive thing in the difference of the material, and Dirand as a creative thing in the difference in itself.
philosophy
raouf sarbakhsh; reza sarbakhsh
Abstract
Gilles Deleuze can undoubtedly be considered one of the most important philosophers and theorists of cinema. In the 1980s, Deleuze wrote two volumes of cinema books, which established the main directions of cinema philosophy as a separate discipline in the university. Among different philosophers, Bergson ...
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Gilles Deleuze can undoubtedly be considered one of the most important philosophers and theorists of cinema. In the 1980s, Deleuze wrote two volumes of cinema books, which established the main directions of cinema philosophy as a separate discipline in the university. Among different philosophers, Bergson has the most influence on Deleuze's theories. Both of them believe that time is not linear and quantitative but qualitative and non-local. The extension of this philosophy led to the formation of the chronology as the main basis of time and cinema in Deleuze's works. In the first volume of his book, Deleuze deals with movement-oriented classical cinema and in the second volume with time-oriented modern works. Time is the central element of Deleuze's modern narratives, dividing images into temporal mirrors and crystals. Deleuze strongly believed in the simultaneity of non-linear times and events in modern works. In recent years, modern Iranian cinema has turned more and more to Deleuze's philosophy and many time elements can be seen in various works. This research comes with Deleuze's modern cinema theories by examining the films of Fish and Cat made by Shahram Makri, Dragon! The work of Mani Haghighi and Homayoun Ghanizadeh's mockumentary comes to the conclusion that the filmmakers of the younger generation of Iran became more interested in non-linear events with tools such as retrospective and forward-looking, as well as the association of past, present and future times in one scene. In the meantime, Makri is strongly influenced by the time period and Mani Haghighi, as a philosophy student, borrows many elements from Deleuze in his works.
philosophy
Mohammad Taghi Iman; Ali Bandarrigizadeh
Abstract
The ideas that have been fixed in a human’s mind, and the abstract realm of his life, in addition to its concrete realm is under their extensive and deep affections, are ideas whose spectrality is manifested in Stirner’s formulation of the human world. Despite encompassing thesecharacteristics, ...
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The ideas that have been fixed in a human’s mind, and the abstract realm of his life, in addition to its concrete realm is under their extensive and deep affections, are ideas whose spectrality is manifested in Stirner’s formulation of the human world. Despite encompassing thesecharacteristics, which are the characteristics of the essential, the specters of ideas are open to presenting an inessential project. Such this project, which is based on disclosing a conceptual binary in Deleuze’s philosophical system, discloses a philosophical reading which manifests the spectrality of idea as a basis for the essentiality of a certain sphere that “human” conceptual signifier constructs. This Stirnerean reading reveals that such a sphere is the non-pluralistic embodiment of its constituent elements.
Davood Moazami goodarzi; Ahmad Ali Heydari
Abstract
We and our world are caught in the last period of nihilism. The remarkable point is the durability of this situation, and that the time for the end of this situation is unclear. The concern of this article is understanding the nihilism, especially its last kind, understanding of the nihilism in order ...
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We and our world are caught in the last period of nihilism. The remarkable point is the durability of this situation, and that the time for the end of this situation is unclear. The concern of this article is understanding the nihilism, especially its last kind, understanding of the nihilism in order to provide the possibility of the thinking about the conditions of the liberation from that. For this purpose, we should understand three kinds of nihilism: negative, reactive, and passive; Understanding these three kinds, especially its last kind, which is the property of the present situation. For the explanation of this step of nihilism, we will resort to a Nietzschean-Deleuzian concept and then try to transmit the affective aspect of this concept to the reader in order for the necessity of the liberation from our nihilistic situation to be sensed affectively. At this point of the analysis, the argument is ready for thinking to the next step, which proceeds by understanding the distinction between the last step of nihilism and the condition of liberation from that. Therefore, the trajectory of the article is like this: explanation of kinds of nihilism: 1) negative. 2) reactive. 3) passive. 4) and the liberation from nihilism.
